- #Waves ssl e channel vs uad trial#
- #Waves ssl e channel vs uad series#
- #Waves ssl e channel vs uad free#
Both were perfectly suited for the ‘big stadium’ pop and rock music of the era, and mixes created on them translated exceptionally well on radio and television.
#Waves ssl e channel vs uad series#
In fact, one could easily make the case that the E Series and later the G Series (which added a number of enhancements, including cleaner circuitry and a moving fader option) defined the entire sound of the 80s. While some considered its EQ (four-band and fully parametric) to be somewhat harsh – at least in comparison with the Neves and Tridents found in the studios of the 60s and 70s – others loved its brightness and clarity, which, along with the characteristic punchiness of the dynamics section, made for a distinctive sound. Its onboard computer and ‘Total Recall’ system, which enabled the user to take a snapshot of the desk and recall it at a later date, was another big selling point.īut perhaps most importantly, the E Series had its own unique sonic character. It was the first console to offer a compressor/gate on every channel as well as a master buss compressor – features that undoubtedly led to the much wider, and more aggressive, use of dynamic processing in mixing, a trend that continues today. The E Series provided a radical departure from anything that had gone before. What made the SL4000 E Series and G Series so special? In this article, we’ll take a closer look at these two powerhouses, and at the Waves SSL E-Channel and G-Channel plugins that allow you to access the sound of these much-loved consoles from within your DAW. The big breakthrough came with the introduction of the E Series in 1979, the desk which, along with its later iterations (including the extremely popular G Series, first released in 1987), not only transformed but dominated the recording industry for decades. A couple of years later it was followed by the slightly more advanced B Series it, too, was met with the sound of one hand clapping, though this time six were sold. It was hardly a rousing success – only two were ordered and built. In 1975, a small English company called Solid State Logic (SSL for short) released their first analog mixing console, the SL4000 A Series. If you have anything to add to this discussion, please leave a comment.What makes the SSL E and G channels different? Why – and when – choose one over the other? Take a detailed comparative look at these two legendary channel strip processors that helped shape generations of music. I recently asked a question on the Plugin Alliance forum to find out how everyone felt about the differences between Native and UAD plugins.
#Waves ssl e channel vs uad free#
UAD is a bit more expensive, but does free up the DSP on your computer for other plugins and processing. The main difference is the way the plugins run on the system and the price.
I’ve done null tests on the plugins and they cancel out when the phase is inverted. I’ve used both platforms and I don’t notice any big differences between the sound. So do you need to have both versions? I’d only say yes if you need to delegate your DSP processing. You can get the same plugin on both UAD and Native platforms. The Apollo system has many options and price points and this makes them a good option for any studio setup. Universal Audio has a line of interfaces and satellite boxes that allow you to run the UAD plugins. Now if your computer doesn’t have the power to run these native plugins, you can look into getting a UAD system that provides the DSP processing for your plugins. The audio quality is clear and gives you the sound that your mixes need. These plugins are modeled emulations of some great pieces of gear and they sound great. One of my favorite native plugin companies is Plugin Alliance. The only limitation is the processing power of your computer. They’re great because you don’t need any extra hardware to run them. These are plugins that work with the DSP processing power of your computer.
#Waves ssl e channel vs uad trial#
Even if you watch a video or someone tells you that you should buy a plugin, I always recommend running it through the trial period to give yourself some time to find out if it’s what you need. Most of the plugin companies will offer a trial period, which is exactly what you should do before investing. What do you need that you don’t already have? More color? Better transient control? The best way to find out is demo a few plugins and see if they give you the edge that you need. Compressors are bountiful and there are many different types out on the market. Mainly a new tool that will enhance your mixes and give you the control you need to shape the mix. Focus on plugs that give you something that you don’t already have in your system.
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